33 seeds
(2022), video stills


33 seeds (2022) is a body of work in ceramic, sound and video, using the emblem of Esphand (a plant also known as ‘wild rue’) to explore ideas around dreams, gestation and world-weaving. 

Esphand is a popular plant in Iranian culture that is often burnt in conjunction with chants that call upon 33 seeds to protect against The Evil Eye. Esphand is considered both medicine and hallucinogen, theorised as the  entheogenic haoma in ancient Zoroastrian texts and soma in Indo-Iranian texts. 

Within 33 seeds, Esphand is a potent symbols of multiplicity: of existing and not existing, blending the collective and the individual. In the West, where these states are treated as contradictions, Esphand is considered a noxious weed, invasive and difficult to uproot in overgrazed areas. During droughts, the plant is said to poison livestock, reducing fertility and cause miscarriages. At once protecting, preserving, and paralysing; the work uses Esphand’s invasive and mystical qualities to connect me, my mother and my sister (who feature in the video portion of the work) to different times, places and peoples, drawing from archival evidence, folklore and familial history.

33 seeds video
Edit: Mina Heydari-Waite
Camera: Jess Holdengarde
Sound mix: William Aikman
Voices: Hamideh Heydari, Mina Heydari-Waite,  Sara Heydari-Waite
Script: Mina Heydari-Waite

With many thanks to Sam Wood for loaning me a beautiful dress.

33 seeds was shown at VOLT Gallery, Eastbourne 2022-23, and was later screened as part of Selected 13, a UK Screening Tour organised by videoclub and FLAMIN, 2023.

Installation materials list: single channel video,  4 channel audio, MDF, paint, stoneware ceramic.

33 seeds
(2022), photos of installation at VOLT Gallery by Rob Harris